Sightseeing was a Blast
It is possible that San Marco's square could be flooded under a foot of water, but it is quite rare. San Marco's square could never be under swells of this magnitude. The photograph of the storm was taken in the Pacific from a large sailboat. I combined the two photographs to create this surrealistic image in order to follow my twisted artistic vision. The swells of the ocean are so beautiful as is the majestic architecture of the famous San Marco's Basilica and the Palazzo Ducale in Venice.
Thomas Barbèy prints are developed in a traditional-chemical based process. Note these are not ink jet prints.
Sepia Print: Kodak Professional EnduraMetallic Paper. This gallery grade print has a glossy finish and metallic appearance that creates exceptional visual depth. The print stability is 100 years in a typical home display and 200 years in dark storage (as reported by Kodak Inc.). Sepia prints are numbered and hand signed by Thomas Barbèy.
Black and White Prints: Fuji Crystal Archive Paper. It has a matte finish with a stability of 100 years in typical home display and 200 years in dark storage (as reported by Fuji). These prints are available as an open edition and not signed.
We use the finest wood available. The wood is given a look of forged, hammered metal. It looks like an old pewtered mug one would find in an European castle. The frame will fit well with a contempory environment or a traditional home. The finish is neutral with a width of 2 5/8" and Rabbet 5/8".