The Flatiron building in New York is one of the most photographed architectural masterpiece. I put a “Big Apple” twist to it and a Magritte “flair” via his famous painting called “The Son of Man”. In Magritte’s painting, the apple is untouched. I couldn’t resist the temptation of having the apple consumed, because of the implication of the consequences of such an act. We are not perfect, because we tasted the apple…
Thomas Barbèy prints are developed in a traditional-chemical based process. Note these are not ink jet prints.
Sepia Print: Kodak Professional EnduraMetallic Paper. This gallery grade print has a glossy finish and metallic appearance that creates exceptional visual depth. The print stability is 100 years in a typical home display and 200 years in dark storage (as reported by Kodak Inc.). Sepia prints are numbered and hand signed by Thomas Barbèy.
Black and White Prints: Fuji Crystal Archive Paper. It has a matte finish with a stability of 100 years in typical home display and 200 years in dark storage (as reported by Fuji). These prints are available as an open edition and not signed.
We use the finest wood available. The wood is given a look of forged, hammered metal. It looks like an old pewtered mug one would find in an European castle. The frame will fit well with a contempory environment or a traditional home. The finish is neutral with a width of 2 5/8" and Rabbet 5/8".